One-to-one bass guitar tuition

Find a Grade 6 bass guitar tutor

Develop controlled slap, fluent fretboard work and confident performances for RSL Rockschool, Trinity Rock & Pop or your own playing goals.

  • One-to-one tuition
  • Pay as you go
  • Direct tutor contact
Grade 6 bass preparation brings technique and musical judgement together: keeping a complex groove steady, controlling unwanted string noise and making unfamiliar music work under time pressure. Choose the board and exam format first, because Rockschool and Trinity assess different combinations of skills. Latimer offers online one-to-one tuition and a free matching request; describe your bass experience, chosen route and what you want to improve.

The form controls become available when the enquiry form has loaded.

Grade 6 Bass Guitar tuition enquiry

Tell us what you know, skip anything you’re unsure about, and add a short description if you skip both subject and level.

  1. Tutoring brief
  2. Contact details

Final question

Contact details

Where should we send tutor options?

We’ll reply by email. Mobile is an optional fallback only.

Your tutoring brief

Subject
Guitar
Level
Grade 6

Free matching request skip anything you’re unsure about pay as you go when lessons begin.

We use your contact details to reply to this enquiry. See our Privacy Policy for other uses.

How one-to-one tuition can help

  • Keep slap, syncopation and position changes controlled at Grade 6
  • Prepare the pieces and supporting tasks required by your exam format
  • Turn lesson feedback into practice you can hear improving

Tell us whether you are preparing for RSL Rockschool or Trinity Rock & Pop, including the syllabus edition and exam format.

Available tutors

Compare tutors for your Grade 6 bass goals

3 tutor profiles selected

Ask about electric bass teaching, your chosen board and the techniques you want to develop. Include the pieces you are learning when you get in touch.

Portrait of Owen Evans

Owen Evans

Music, and Musical Instrument Specialist

Lumsden, United Kingdom

£30.00 per hourDBS checkediAccepting enquiries
GuitarMusicMusic PerformanceMusic Technology+1 more
  • Holds over 8 years' of online teaching experience.
  • Owen holds over 18 Years' experience teaching & in the Music industry.
  • Received over 1 million views & listens on Spotify, Youtube & social media.
  • A professional songwriter in all genres.
  • Over 10 years' experience using Logic Pro-x.
  • Owen has worked with Grammy-winning producers.

Owen Evans is a UK guitar tutor with 18+ years in teaching and the music industry, including 8+ years of online tutoring. He supports ABRSM/Rockschool, GCSE and A-Level Music, plus songwriting and Logic Pro X production with tailored lesson plans.

Send a quick enquiry from here and the Latimer Tuition team will pass it on to Owen.

Portrait of Simon OKeeffe

Simon OKeeffe

Music and Music Performance Specialist

london, United Kingdom

£40.00 per hourDBS checkediAccepting enquiries
ABRSMGCSE (general)GuitarMusic Performance+4 more
  • Simon has over 12 years' of experience as a music educator across primary and secondary schools in addition to further education.
  • Holds a Bachelor of Arts (Hons) in Music (Guitar Institute).
  • Holds a Master of Arts in Record Production and Distribution (University of West London).
  • Professional background as a musician, producer, arranger, and musical director.

Music educator with 12+ years’ experience offering private lessons as a guitar tutor and piano tutor, plus drums and music theory. Supports GCSE, A Level and university music performance and music technology, with lesson reports and optional homework.

Send a quick enquiry from here and the Latimer Tuition team will pass it on to Simon.

Portrait of Abigail Ajala

Abigail Ajala

Music, and Musical Instrument Specialist

Rushmere St Andrew, United Kingdom

£45.00 per hourDBS checkediAccepting enquiries
GuitarMusicMusic PerformanceMusic Technology+2 more
  • Over 11 years' of Music teaching experience.
  • Holds a Bachelor of Arts in Commercial Music.
  • Has been the vocal coach for the Stagecoach Performing Arts School (Ipswich).
  • Teaches guitar, ukulele, piano (up to intermediate), vocals, and music theory.

Abigail Ajala is a guitar tutor with 11+ years’ teaching experience, BA in Commercial Music, and Stagecoach Performing Arts (Ipswich) vocal coach. She is also a piano tutor (to intermediate) teaching ukulele and music theory for ages 4+, KS1–3, GCSE and A Level; online and Suffolk-based.

Send a quick enquiry from here and the Latimer Tuition team will pass it on to Abigail.

Choose the Grade 6 exam format before planning lessons

RSL Rockschool and Trinity Rock & Pop both offer Grade 6 bass, but a programme prepared for one format does not automatically cover another. Use the exact syllabus and permitted repertoire for your entry. For a Rockschool Grade 6 Grade Exam, the unfamiliar task is a Quick Study Piece combining written and improvised material.

Rockschool Grade Exam
Three performance pieces, selected technical exercises, a Quick Study Piece, two ear tests and five general musicianship questions. Leave regular practice time for the unfamiliar and listening tasks as well as repertoire.
Rockschool recorded Graded Certificate
Three pieces plus the prescribed technical exercises, recorded according to this route’s checklist. There are no unseen supporting tests; rehearse the complete required technical programme, rather than only a selection an examiner might request.
Rockschool Performance Certificate
Five performance pieces without separate technical exercises or supporting tests. Prepare contrasting musical demands and reliable performances across the whole programme.
Trinity Rock & Pop face-to-face
Three songs, including the Technical Focus song, plus a Session Skill chosen from playback or improvising. Technical Focus assesses particular playing techniques within a song.
Trinity Rock & Pop digital
Three songs, including Technical Focus, with overall performance assessment in place of the separate Session Skill. Prepare continuity and musical communication across the recorded performance.

Hear the difference in Grade 6 modal work

Rockschool’s Grade 6 material includes Dorian and Mixolydian scales. Knowing a shape is only part of the task: you need to recognise its sound and find the notes without losing an even pulse.

Try this illustrative E Dorian exercise: E–F♯–G–A–B–C♯–D–E. Compare it with E natural minor, which has C-natural in place of C♯. The sixth note is the difference. If you automatically use C-natural because the minor scale shape is familiar, you have changed the mode.

Play E–G–B–C♯–B–G–E slowly, with equal note lengths, then sing the phrase before playing it again. Check C♯ against the full scale and repeat the phrase in another comfortable position. A useful improvement is being able to find and hear that raised sixth in both positions without hesitating or speeding up.

This is a practice example, not a prescribed exam exercise. Use the grade book for the required roots, fingering options and tempos. A tutor can connect the same sound to a short improvised phrase so scale practice also develops musical choices.

Keep the groove steady when slap gets busier

Rockschool Grade 6 funk work includes slap, pop and percussive semiquaver playing. Trinity’s Grade 6 own-choice song guidance also identifies slap and more complex syncopation. The challenge is to keep the rhythm and note endings controlled as the hands change jobs.

For a short practice illustration, divide one beat into four equal semiquavers and count 1 e & a. Play a low E with the thumb on 1, a muted percussive stroke on e, pop an E an octave higher on &, then leave a silent. Repeat the same pattern on the following beats. The muted stroke makes a short sound without a clear pitch; the final rest should be quiet.

A common difficulty is rushing towards the popped note and letting it ring through the rest. Slow the pattern down, count all four subdivisions aloud and release fretting pressure to stop the octave before a, keeping contact with the string. Check that unused strings are quiet too. Record a few repetitions: improvement means equal spacing, a controlled pop and a rest you can hear.

Then return to a short passage in your chosen piece. Preserve its written rhythm and articulation instead of inserting this practice pattern into the exam song.

Make wide leaps and two-note shapes sound controlled

Trinity’s Grade 6 own-choice guidance includes wide leaps and two-note chords. These are useful preparation targets when the chosen repertoire calls for them; every song need not contain every listed technique.

Try two short examples on a bass in standard E–A–D–G tuning. First alternate open A with E at fret 9 on the G string. Locate the high E before starting and give both notes equal time. If the high note arrives late while the open A keeps ringing, slow the move, prepare the landing and mute the string you have left. Improvement means a clear high E on the beat, with the lower string quiet.

Then sound fret 7 on the D and G strings together: A and D, a fourth apart. Check each note separately before playing the pair. If one buzzes or disappears, adjust the contact until both sound clearly, then practise releasing them together. These are original exercises, not exam-song excerpts.

Return to the relevant passage in your Technical Focus song and preserve its note lengths and dynamics through the move. For Trinity digital or a Rockschool Performance Certificate, also rehearse the complete programme: decide where a phrase should grow or settle, then check that the intended shape survives a full take. A technically accurate passage still needs to fit the style and direction of the song.

Prepare for music you have not rehearsed

The unfamiliar task depends on the booked route. For the Rockschool Grade 6 Grade Exam, the Quick Study Piece is 12 bars with three minutes of preparation. It combines notated and improvised sections and is linked to the selected stylistic study. Trinity face-to-face Session Skills offer playback or improvising; these are different tasks, so use the relevant board’s practice material.

  • Rockschool Quick Study Piece

    Use the preparation time to locate the form, key, chord changes and the switch between written and improvised music. In a practice improvisation over Em7 (E minor seventh) followed by A7 (A dominant seventh), aim to arrive on E and A at the chord changes before adding fills. A modest line that stays with the backing track is a better starting point than a busy phrase that loses the next bar.

  • Trinity playback

    Practise hearing rhythm and pitch as separate parts of the same phrase: tap the rhythm back, then sing its contour before finding the notes. Use fresh examples and return to the board’s complete test format; replaying a memorised example cannot show whether listening recall is improving.

  • Trinity improvising

    Start with a steady bass line that follows the supplied harmonic and rhythmic information. For example, keep a repeated two-bar idea and change its final note to lead into the next chord. Record whether the change arrives on time, then add variation while preserving the form.

Build a practice plan with audible checkpoints

Begin with a complete piece and a sample of the other tasks your route requires. That gives the tutor a starting point for lesson frequency and home practice. If the main problem is losing the beat after a fill, a week spent only learning more notes will not resolve it. Choose a small number of priorities and compare recordings of the same passage at the next review.

  1. Separate the difficulty

    Take the two bars before and after a troublesome fill. Keep the pulse with a metronome or backing track, simplify the fill if needed, then restore the written notes without moving the following downbeat. Note the tempo at which it remains controlled.

  2. Keep the route’s other skills active

    Rotate technical work, listening and unfamiliar material through short practice sessions where they are assessed. For a recorded Graded Certificate, use the exact technical checklist. For a performance route, spend that time on programme consistency, tone and transitions.

  3. Test the whole performance

    Run every required piece without restarting. Listen for stable tempo, clear note lengths, deliberate dynamics and recovery after an error. For Trinity Technical Focus, check that the named technique still works inside the complete song, not just in the isolated passage.

  4. Agree readiness before entry

    Review the remaining weaknesses alongside the proposed exam date. A full mock should use the booked format, including any unseen tasks or recording requirements. Set the next practice target from what happened in the mock rather than promising a pass by a fixed date.

Set up online lessons so both hands and the bass are clear

Have the bass, a tuner, the correct music and backing tracks ready. Position the camera so the tutor can see fretting and plucking hands, including how you mute unused strings. Test a short passage with the backing track: the tutor needs to hear the bass line clearly enough to judge timing and note endings. Try the equipment you already have before buying additional audio gear.

Latimer’s default lesson platform is Microsoft Teams; another platform can be agreed with the tutor. Ask how you will share short recordings and how the tutor will demonstrate passages. Rockschool recorded exams require one continuous, unedited video with sound and images clear enough to assess. Teaching audio and a final exam recording are separate arrangements, so check the board’s recording instructions before making a submission.

Trinity expects Grade 6 bass candidates to tune and set up independently. Practise that routine as well as the songs. If written notation, long verbal instructions or session length create a barrier, describe what helps you learn: a slower demonstration, one short task at a time or a recorded reminder. Agree those teaching arrangements with the tutor, and raise any exam-access request with the board before booking.

Use the introduction to check bass teaching and lesson costs

Use a free matching request or compare profiles, then discuss electric bass and your exact Grade 6 route with the tutor. Latimer tutors offer a free introductory meeting for goals, teaching approach and arrangements. Bring the title of a piece you are learning and one specific difficulty, such as a slap passage that loses its pulse or an awkward shift into a two-note chord.

  • Check the teaching approach

    Ask how the tutor would diagnose that passage, demonstrate a correction and set a home task. Discuss experience with the chosen board and format, how much practice you can manage and how progress will be explained to the learner or parent.

  • Agree the budget

    Each tutor sets their own rate, shown on their profile, and standard lessons are billed pay as you go after they take place. Confirm lesson length and frequency, then check exam-entry fees, music and any recording or equipment costs separately.

  • Set responsibilities

    Agree who will check repertoire eligibility, book the exam and organise a recording or venue. Discuss any tutor involvement in those tasks directly; choosing tuition is not itself an exam booking.

Support and clarity

Frequently asked questions

Straight answers to the questions people ask most often.

Do I need to have passed Grade 5 before Grade 6 bass?

No previous-grade certificate or theory qualification is required for entry to these Rockschool or Trinity bass routes. That does not make Grade 6 a beginner starting point: higher grades assume earlier playing skills. Ask the tutor to hear your playing and sample the relevant technical and supporting tasks, then address any gaps before setting an exam date.

Can I work at Grade 6 level without taking an exam?

Yes. You can use the repertoire and technical demands as a framework for lessons while pursuing band playing, improvisation or a broader set of songs. Tell the tutor which sounds and styles interest you. Without an exam target, the plan can give more time to those goals while still checking timing, tone, fretboard fluency and independent practice.

Can I use a five-string or fretless bass for Trinity Grade 6?

Yes. Trinity permits fretless and electro-acoustic basses, as well as basses with five or more strings. Its bass exams are for electric bass rather than double bass. Use an instrument you can tune and set up independently, and check the selected repertoire and assessment instructions before arranging equipment.

Should I learn with notation, TAB or both?

Bring the actual score or TAB you use so the tutor can see how you currently learn a part. Work through its rhythm and articulation as well as string and fret choices. Follow the chosen syllabus for the notation and resources permitted in assessment; for the Rockschool Grade Exam, include unfamiliar written material in preparation for the Quick Study Piece.

How many lessons will Grade 6 preparation take?

There is no useful fixed number without hearing the learner. Someone with secure repertoire may need help with unfamiliar tasks, while another player may need sustained work on groove and technique. Agree a manageable practice routine and review point first, then adjust lesson frequency using complete performances and the remaining tasks for the chosen route.

Can Grade 6 bass lessons take place in person?

Latimer is online first. In-person lessons depend on an individual arrangement with the tutor, so discuss location and travel before planning around them. For online tuition, test whether the tutor can clearly see both hands and hear the bass alongside a backing track.

What should I work on after Grade 6?

Use the final performances to identify what should carry forward: steadier groove, a wider range of styles, fluent position changes or stronger improvisation. A higher grade can provide structure, but you can also develop ensemble playing and new repertoire. Agree the next goal after reviewing the current skills rather than treating the certificate as the end of practice.

Further information

Useful links and resources

Related tutor pages

Explore related tuition options and guidance for choosing the right support.