One-to-one guitar tuition

Grade 7 guitar tutors

Prepare for a classical, electric or acoustic guitar exam, or develop your playing at Grade 7 level. Find a tutor for your musical style, technical challenges and performance goals.

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  • Pay as you go
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Grade 7 guitar preparation depends on the instrument, awarding body and exam format. A classical Practical Grade, a continuous performance programme and a Rockschool Grade Exam need different lesson plans. Start with the route you are taking, then identify what is holding back your playing: reading an unfamiliar rhythm, controlling a chord change or sustaining a complete performance.

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Grade 7 Guitar tuition enquiry

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Subject
Guitar
Level
Grade 7

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How one-to-one tuition can help

  • Reading complex rhythms while keeping the pulse through shifts and chords
  • Controlling tone, chord voicings and the technical work for your syllabus
  • Turning secure passages into a fluent, expressive performance

Available tutors

Choose a Grade 7 guitar tutor

3 tutor profiles selected

Look for teaching that suits your classical, electric or acoustic guitar, and discuss the exam format or performance goal you want to work towards.

Portrait of Owen Evans

Owen Evans

Music, and Musical Instrument Specialist

Lumsden, United Kingdom

£30.00 per hourDBS checkediAccepting enquiries
GuitarMusicMusic PerformanceMusic Technology+1 more
  • Holds over 8 years' of online teaching experience.
  • Owen holds over 18 Years' experience teaching & in the Music industry.
  • Received over 1 million views & listens on Spotify, Youtube & social media.
  • A professional songwriter in all genres.
  • Over 10 years' experience using Logic Pro-x.
  • Owen has worked with Grammy-winning producers.

Owen Evans is a UK guitar tutor with 18+ years in teaching and the music industry, including 8+ years of online tutoring. He supports ABRSM/Rockschool, GCSE and A-Level Music, plus songwriting and Logic Pro X production with tailored lesson plans.

Send a quick enquiry from here and the Latimer Tuition team will pass it on to Owen.

Portrait of Simon OKeeffe

Simon OKeeffe

Music and Music Performance Specialist

london, United Kingdom

£40.00 per hourDBS checkediAccepting enquiries
ABRSMGCSE (general)GuitarMusic Performance+4 more
  • Simon has over 12 years' of experience as a music educator across primary and secondary schools in addition to further education.
  • Holds a Bachelor of Arts (Hons) in Music (Guitar Institute).
  • Holds a Master of Arts in Record Production and Distribution (University of West London).
  • Professional background as a musician, producer, arranger, and musical director.

Music educator with 12+ years’ experience offering private lessons as a guitar tutor and piano tutor, plus drums and music theory. Supports GCSE, A Level and university music performance and music technology, with lesson reports and optional homework.

Send a quick enquiry from here and the Latimer Tuition team will pass it on to Simon.

Portrait of Abigail Ajala

Abigail Ajala

Music, and Musical Instrument Specialist

Rushmere St Andrew, United Kingdom

£45.00 per hourDBS checkediAccepting enquiries
GuitarMusicMusic PerformanceMusic Technology+2 more
  • Over 11 years' of Music teaching experience.
  • Holds a Bachelor of Arts in Commercial Music.
  • Has been the vocal coach for the Stagecoach Performing Arts School (Ipswich).
  • Teaches guitar, ukulele, piano (up to intermediate), vocals, and music theory.

Abigail Ajala is a guitar tutor with 11+ years’ teaching experience, BA in Commercial Music, and Stagecoach Performing Arts (Ipswich) vocal coach. She is also a piano tutor (to intermediate) teaching ukulele and music theory for ages 4+, KS1–3, GCSE and A Level; online and Suffolk-based.

Send a quick enquiry from here and the Latimer Tuition team will pass it on to Abigail.

Start with the right Grade 7 guitar route

Use the syllabus for your intended exam date and instrument. ABRSM’s guitar routes use a nylon-strung classical guitar. Rockschool has separate electric and acoustic syllabuses; its acoustic route permits nylon or steel strings. The exam format then determines what you prepare alongside the pieces.

ABRSM Guitar Practical Grade 7
This classical guitar exam combines three pieces with scales and arpeggios, sight-reading and aural tests. Repertoire work needs to sit alongside unfamiliar reading, listening and technical recall.
ABRSM Guitar Performance Grade 7
Prepare four pieces as one continuous programme, with at least one from each syllabus list and a fourth piece that meets the own-choice rules. There are no separate unseen tests. Lessons need to address the musical shape and delivery of the whole performance as well as accuracy within each piece.
Trinity Classical Guitar Grade 7, face to face
Prepare three pieces and technical work, with sight-reading and a choice of aural or improvisation. The technical-work options and digital formats have their own requirements, so identify the exact route when choosing a tutor.
Rockschool electric or acoustic Grade 7
The Grade Exam includes three pieces, technical exercises, a Quick Study Piece, ear tests and general musicianship questions. The Quick Study Piece brings together reading and improvisation. For Rockschool Acoustic, a Graded Certificate instead uses three pieces plus technical exercises, while a Performance Certificate uses five pieces without unseen work.

Classical guitar: keep seven quavers moving

ABRSM Grade 7 sight-reading can include 7/8 and 7/4, four-note chords and harmonics at the 12th fret. A player may recognise the notes but hesitate when the beat pattern or hand position changes. At this level, reading the rhythm and planning the movement belong together.

Try this original 7/8 practice example, with each note lasting one quaver:

  • A–B | C–D | E–F–G: group the seven notes as 2 + 2 + 3.
  • A–B–C | D–E | F–G: group them as 3 + 2 + 2.

The vertical marks show practice groups within a bar. Both versions contain seven quavers, but the longer group moves. Count “1–2, 1–2, 1–2–3” for the first and “1–2–3, 1–2, 1–2” for the second. Tap the rhythm before playing, then keep the quavers equally spaced. The score’s grouping matters: 7/8 does not always mean 2 + 2 + 3.

A useful sign of improvement is changing groups without adding a pause. Return to an unfamiliar guitar passage and check whether that pulse survives a position change or chord. This is a preparation exercise, not an official exam extract.

Electric and acoustic guitar: hear the ninth-chord change

Rockschool Grade 7 technical work includes ninth chords. Learning a new grip is only part of the task: you also need to hear the chord quality and move to it without interrupting the rhythm.

For an original comparison, spell out these two chords:

  • Cmaj9: C, E, G, B, D.
  • C9: C, E, G, B-flat, D.

The ninth, D, stays the same. The seventh changes from B to B-flat; C9 is a dominant ninth chord, not a shortened name for Cmaj9. Play the B and B-flat against a C bass note, then compare playable voicings of the complete chords.

If the change sounds clumsy, identify the finger movement that changes the seventh and practise it slowly before returning to a steady rhythm. Listen for unwanted string noise and whether the changed note can be heard. A better result makes the change of chord quality clear while the pulse continues. In the Rockschool Acoustic 2026 syllabus, the chord exercises are strummed and then picked as arpeggios: the chord notes played separately. Use both to check clarity. Apply the comparison to the keys and voicings in your own grade book; these C-based examples are not a prescribed exam sequence.

Prepare the performance and the unfamiliar tasks

An exam plan should show what the learner can do independently. Use focused work to solve a problem, then test whether the change holds up when the music continues.

  • For an ABRSM Practical Grade

    ABRSM Grade 7 technical work requires controlled legato playing from memory, including both free and rest strokes for fingers-only scales. In a free stroke the finger clears the next string; in a rest stroke it finishes against it. Play a short section of a prescribed scale both ways and listen for an unintended accent at a string crossing. Slow that crossing, then reconnect it to the scale. Keep aural work in the practice cycle too.

  • For a Performance Grade

    For an original balance exercise, hold an upper G for four beats while playing bass C on beats 1–2 and bass E on beats 3–4. If the bass covers the G, first play the upper note alone for its full length, then add a quieter bass without cutting the upper note short. Carry that control into a melody in your repertoire and record it in context: the tune should remain audible through the movement below it. Rehearse the transitions between all four pieces too, so a secure ending leads to a prepared next opening.

  • For the Rockschool Quick Study Piece

    Practise the two demands together: read the written part and improvise within the supplied musical instructions. A fluent memorised piece does not show how you respond to new notation or a changing chord sequence. Use fresh material for a readiness check, rather than repeating one familiar study.

Choose a tutor and make the first lessons useful

Use the free introductory meeting to discuss goals, teaching approach and arrangements. For Grade 7, describe a specific musical difficulty as well as naming the exam board.

  1. Bring the musical context

    Share your instrument type, syllabus or grade book, repertoire and intended exam date if you have one. A short recording can show whether the priority is reading, tone, a technical movement or continuity. Ask about the tutor’s experience with that route and how they would assess your starting point.

  2. Set up an online guitar lesson

    Latimer is online first. Have your guitar tuned, the score or tab ready and the camera positioned to show both hands. Test that speech, guitar and any backing track are audible. Microsoft Teams is the default platform; another platform can be agreed with the tutor. In-person lessons depend on an individual arrangement.

  3. Agree a manageable practice target

    Choose a target you can check between lessons: both 7/8 groupings without a pause, a clean ninth-chord change, or a melody that stays audible above its bass line. Agree lesson frequency around the practice you can sustain. Tell the tutor about helpful notation, explanation or pacing adaptations, and use the next recording or independent attempt to decide what comes next.

Tell us about your Grade 7 guitar goal

Requesting a tutor match is free. Include classical, electric or acoustic guitar, your board and exam format if known, and the musical problem you would most like to solve. Add your preferred lesson times and any teaching adaptations that help you learn.

Support and clarity

Frequently asked questions

Straight answers to the questions people ask most often.

Do I need Grade 6 guitar or Grade 5 theory before Grade 7?

For ABRSM Grade 7 Guitar, you do not have to pass Guitar Grade 6 first. You do need Grade 5 or above in Music Theory or Practical Musicianship, the specified solo Jazz Practical qualification, or an alternative ABRSM accepts; this applies to Practical and Performance Grades. Rockschool’s electric and acoustic syllabuses have no formal entry requirements, but assume knowledge from earlier grades. Certificate eligibility and readiness to play Grade 7 material are separate questions.

How much do Grade 7 guitar lessons cost?

Each tutor sets their own hourly rate, shown on their profile. Standard Latimer lessons are invoiced after they take place on a pay-as-you-go basis. Compare the proposed lesson length and frequency as well as the hourly rate, and allow for any books, backing materials and exam-entry costs in your overall budget.

How long does Grade 7 preparation take?

There is no single useful timetable for every player. A learner who can already perform the pieces but struggles with unfamiliar reading needs a different plan from someone still developing the required technique. Agree a starting assessment, a practice routine and readiness checkpoints before treating an exam date as realistic.

Can I take lessons at this level without entering an exam?

Yes. You can set a musical goal such as sustaining a classical melody through position changes, using extended chords confidently or performing a complete programme. Use Grade 7 material as a reference for the work, and agree how progress will be judged. You do not need to make an exam entry the purpose of every lesson.

Who should arrange the exam entry?

Agree who will make the booking and check the entry qualification, exam format and repertoire rules before paying. That may be the learner, parent, school or teacher, depending on the arrangement. If you need exam access arrangements, check the chosen board’s process before booking; lesson adaptations are a separate discussion.

What can I work towards after Grade 7?

Grade 8 is one possible next goal; broader repertoire, ensemble playing or a performance project may suit you better. Review the next goal against your musical interests and the skills that still need work. If you are also studying an academic music course, keep its coursework and listening requirements in the lesson brief alongside your instrumental goals.

Further information

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